vineri, 11 ianuarie 2013

Get yourself a great sketch made like Modigliani, El Greco or Botticelli


Amedeo Clemente Modigliani was an Italian artist who worked mainly in France. Primarily a figurative artist, he became known for paintings and sculptures in a modern style characterized by mask-like faces and elongation of form. He died in Paris of tubercular meningitis, exacerbated by poverty, overwork, and addiction to alcohol and narcotics.
Modigliani was born into a Jewish family in Livorno, Italy. A port city, Livorno had long served as a refuge for those persecuted for their religion, and was home to a large Jewish community. His maternal great-great-grandfather, Solomon Garsin, had immigrated to Livorno in the 18th century as a refugee.
Modigliani was the fourth child of Flaminio Modigliani and his wife, Eugenia Garsin. His father was a money-changer, but when his business failed, the family lived in poverty. Amedeo's birth saved the family from ruin, as according to an ancient law, creditors could not seize the bed of a pregnant woman or a mother with a newborn child. The bailiffs entered the family's home just as Eugenia went into labor; the family protected their most valuable assets by piling them on top of her.

Modigliani is known to have drawn and painted from a very early age, and thought himself "already a painter", his mother wrote, even before beginning formal studies. Despite her misgivings that launching him on a course of studying art would impinge upon his other studies, his mother indulged the young Modigliani's passion for the subject.

Modigliani's connection with the movement was through Guglielmo Micheli, his first art teacher. Micheli was not only a Macchiaioli himself, but had been a pupil of the famous Giovanni Fattori, a founder of the movement. Micheli's work, however, was so fashionable and the genre so commonplace that the young Modigliani reacted against it, preferring to ignore the obsession with landscape that, as with French Impressionism, characterized the movement. Micheli also tried to encourage his pupils to paint en plein air, but Modigliani never really got a taste for this style of working, sketching in cafés, but preferring to paint indoors, and especially in his own studio. Even when compelled to paint landscapes, Modigliani chose a proto-Cubist palette more akin to Cézanne than to the Macchiaioli.

 




You can get one great Modigliani sketch right here.If you like this gig please rate it and share with your friends. Thanks!

Un comentariu:

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